The background score works in a few scenes but falls flat in others. Tuck Jagadish, however, is an exception as none of the songs register. Sr NTR’s Chitti Chellelu, for instance, boasted of the heart-warming Andala Pasi Papa song that attained cult status. The rest of the cast is adequate.įamily dramas usually feature a few hummable songs. In Tuck Jagadish, again, he shines in a small role. The Baahubali actor, for example, delivered the goods when he played Venky’s mentor-turned-foe in Narappa even though he appeared only in the flashback sequences. Nassar has time and again proved that he is an excellent actor who can make an impact even if he does not get enough scope. Ritu Varma, who garnered attention with her work in Putham Pudhu Kaalai, makes a decent impact even though she is burdened with a half-baked character. He does not get enough scope to emote with his eyes, the way he did in the Chiranjeevi-starrer Sye Raa. That said, ‘Jaggu’ is a bit under-utilised as his character does not do justice to his range as a performer. His scenes with Jagapathi Babu, especially towards the end, click with the audience. The star, who received praise for his work in the emotionally-draining Jersey, rises above the mediocre script to shine in the family sequences. Nani salvages the film with his sincere performance. A scene involving Aishwarya and her husband is quite intense. The action scenes towards the end make an impact due to their organic intensity. Punch dialogues such as ‘Mental Rowdy’ and ‘I am a local’ cater to Nani fans. That said, Tuck Jagadish is not an unwatchable affair by any stretch of the imagination. Most of the so-called lighter sequences feel forced. The twist involving Jagapathi Babu’s character too is quite unconvincing, to say the least. While this is not a cardinal sin, it dilutes the impact by making the film a bit too predictable even by the standards associated with mainstream movies. The track involving the cruel fate of an honest officer is a case in point. ![]() Tuck Jagadish, like most commercial films, sticks to cliches and templates. While the track involving Nani and Aishwarya Rajesh is one of the highlights of the film, it too hasn’t been explored as well as it could have been. The problem is compounded by the fact that most of the characters haven’t really been fleshed out properly. The multi-character setting makes it difficult for the viewer to relate to the dynamics at play. This is exactly where Tuck Jagadish fails to deliver. Moreover, Prakash Raj’s portrayal of a caring patriarch gave the film a strong emotional fulcrum. The film hit the right notes as the bond between Venkatesh and Mahesh Babu felt relatable and heart-warming. The 2013 release Seethamma Vakitlo Sirimalle Chettu is a case in point. Moreover, the dynamics between them need to be explored in detail. Things, however, go downhill pretty fast as the makers are unable to add emotional depth to the narrative.Ī film with a family backdrop can work only if the characters feel relatable. Tuck Jagadish opens with a dark and gruesome sequence that has shades of the one seen in Narappa, which was a remake of the Tamil movie Asuran. The premise, sadly, fails to reach its potential as the writing is not up to the mark. The basic storyline lacks novelty but it has all the commercial elements-right from the ‘amma’ sentiment to a romantic track-that one would expect from a family drama. The rest of the narrative revolves around his attempts to get things back on track. ![]() His world is turned upside down when his elder brother shows his true colours following his father’s death. The film revolves around the life of a simpleton named Jagadish Naidu, played by Nani, who considers his relatives to be the most important part of his life. Cast: Nani, Jagapathy Babu, Ritu Varma and Aishwarya Rajesh, and Nassarĭirector Shiva Nirvana’s latest movie Tuck Jagadish had the potential to be an emotionally-gripping family drama but it ends up being a synonym for mediocrity.
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